Chapter 12. Continuity
The Exercises in this chapter provide technical and aesthetic lessons in using the Gestalt Laws of Similarity and Continuity to create stylistic consistency when sequencing frames in a multimedia file. Open The New York Times to any article, and you’ll always know that you’re reading The New York Times. In the sixth edition of his Visual Communication: Images with Messages, Paul Martin Lester defines stylistic consistency as “a design concept in which multiple pages or frames of a piece appear to be unified” [1]. You’ll create a multimedia work with moving type and images as you focus on the continuity of the work through ...
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