Appendix A. Epilogue: Crushing Loneliness
Writing the biography of a living person is a bit like producing a play. The drama in front of the curtain often pales in comparison to the drama backstage.
In The Autobiography of Malcolm X, Alex Haley gives readers a rare glimpse of that backstage drama. Stepping out of the ghostwriter role, Haley delivers the book’s epilogue in his own voice. The epilogue explains how a freelance reporter originally dismissed as a “tool” and “spy” by the Nation of Islam spokesperson managed to work through personal and political barriers to get Malcolm X’s life story on paper.
While I hesitate to compare this book with The Autobiography of Malcolm X, I do owe a debt of gratitude to Haley for his candid epilogue. Over the last 12 months, it has served as a sort of instruction manual on how to deal with a biographical subject who has built an entire career on being disagreeable. From the outset, I envisioned closing this biography with a similar epilogue, both as an homage to Haley and as a way to let readers know how this book came to be.
The story behind this story starts in an Oakland apartment, winding its way through the various locales mentioned in the book—Silicon Valley, Maui, Boston, and Cambridge. Ultimately, however, it is a tale of two cities: New York, New York, the book-publishing capital of the world, and Sebastopol, California, the book-publishing capital of Sonoma County.
The story starts in April, 2000. At the time, I was writing stories for ...
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