Hackers & Painters

Chapter 2. Hackers and Painters

When I finished grad school in computer science I went to art school to study painting. A lot of people seemed surprised that someone interested in computers would also be interested in painting. They seemed to think that hacking and painting were very different kinds of work—that hacking was cold, precise, and methodical, and that painting was the frenzied expression of some primal urge.

Both of these images are wrong. Hacking and painting have a lot in common. In fact, of all the different types of people I’ve known, hackers and painters are among the most alike.

What hackers and painters have in common is that they’re both makers. Along with composers, architects, and writers, what hackers and painters are trying to do is make good things. They’re not doing research per se, though if in the course of trying to make good things they discover some new technique, so much the better.

I’ve never liked the term “computer science.” The main reason I don’t like it is that there’s no such thing. Computer science is a grab bag of tenuously related areas thrown together by an accident of history, like Yugoslavia. At one end you have people who are really mathematicians, but call what they’re doing computer science so they can get DARPA grants. In the middle you have people working on something like the natural history of computers—studying the behavior of algorithms for routing data through networks, for example. And then at the other extreme you have the hackers, ...