A very real danger is that insufficient theoretical understandings of what is involved in multimodal artefacts and performances will leave the would-be educator trailing behind the competence pupils are already bringing to their engagement with diverse media. Serafini outlines several approaches he considers useful for this process, ranging across the linguistically-inflected approach of Theo van Leeuwen and Gunther Kress, central figures in the development of the sociosemiotic theory of multimodality that we will hear more of below (→ §2.4.5 [p. 48]), the art historical and iconographic approach of Panofsky that we mentioned above (→ §2.3.2 [p. 36]) and media literacy more generally (Iedema et al. 1995), for which the Journal of Media Literacy ...
Become an O’Reilly member and get unlimited access to this title plus top books and audiobooks from O’Reilly and nearly 200 top publishers, thousands of courses curated by job role, 150+ live events each month,
and much more.
Read now
Unlock full access