book

Photoshop® CS5 for Nature Photographers: A Workshop in a Book

Name: Photoshop® CS5 for Nature Photographers: A Workshop in a Book
ISBN: 9780470607343

by Ellen Anon, Josh Anon

June 2010

Intermediate to advanced

507 pages

14h 22m

English

Sybex

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Copyright
Dear Reader,
Acknowledgments
About the Authors
Foreword
Foreword
Introduction
Who Should Use This BookWhat's InsideWhat's on the Companion WebsiteHow to Contact the Authors
1. Thinking Digitally
1.1. Photographic Techniques1.2. Choosing RAW versus JPEG1.2.1. What's So Great about RAW?1.2.2. Advantages and Disadvantages of Shooting JPEGs1.3. Understanding Histograms1.3.1. Types of Histograms1.3.2. Interpreting Histograms1.4. Exposure1.4.1. "Expose Right" by Michael Reichmann1.4.1.1. Don't Blow It1.4.1.2. Signals and Noise1.4.1.3. Dynamic Range and Bit Mode1.4.1.4. The Lesson1.5. White Balance in Nature Photography1.6. Color Management1.6.1. Monitor Calibration1.6.1.1. Working Conditions1.7. Photographing Images to Composite Later1.7.1. Expanding Camera Capabilities1.7.2. Photographing Parts of the Scene Individually1.7.3. Image Components1.7.4. Ethical Considerations1.8. Aperture and Lightroom1.9. Storage Considerations
2. Bridge
2.1. Customizing Bridge2.1.1. Setting Bridge Preferences2.2. Downloading Images2.2.1. Creating a Metadata Template2.2.2. Renaming Your Images After Import2.3. Bridge Views and Workspaces2.3.1. Filmstrip Views2.3.1.1. Customizing the Left Pod2.3.2. Other Views2.3.3. Recognizing the Icons2.3.4. Stacking Images2.4. Sorting and Editing2.4.1. Zooming and Comparing Images2.4.2. Rating Images2.4.3. Labeling Images2.4.4. Using the Filter Panel2.4.5. Creating Collections2.4.6. Using Keywords2.5. Additional Features2.6. Mini Bridge
3. Adobe Camera Raw
3.1. Using the ACR Interface3.1.1. Seeing Your Image within ACR3.1.2. Cropping and Rotating within ACR3.1.3. Using the Spot Removal Tool3.1.4. Controlling the Default Appearance of Your Image3.1.4.1. Specifying the General Settings3.1.4.2. Specifying the Default Image Settings3.1.4.3. Saving Settings3.2. Using the Basic Tab3.2.1. Setting White Balance3.2.2. Adjusting Tonalities3.2.2.1. Setting the Exposure and Blacks Sliders3.2.3. Using the Recovery and Fill Light Sliders3.2.4. Using the Brightness and Contrast Sliders3.2.5. Modifying Clarity, Vibrance, and Saturation3.3. Setting the Other Tabs3.3.1. Setting the Tone Curves: The Tone Curve Tab3.3.2. Sharpening and Reducing Noise: The Detail Tab3.3.3. Correcting Color: The HSL/Grayscale Tab3.3.4. Alternate Interpretations: The Split Toning Tab3.3.5. Fixing Aberration and Vignetting: The Lens Corrections Tab3.3.6. Adding Grain and Vignetting: The Effects Tab3.3.7. Accounting for Camera Variation: The Camera Calibration Tab3.3.8. Preset Tab3.3.9. Snapshot Tab3.4. Making Localized Adjustments3.4.1. Using the Adjustment Brush3.4.2. Using the Graduated Filter3.5. Making Targeted Adjustments3.5.1. Setting ACR Workflow Options and Saving Files3.5.2. Choosing the Space3.5.3. Choosing the Depth3.5.4. Choosing the File Size and Resolution3.5.5. "Sharpen For" Options3.5.6. Opening an Image as a Smart Object3.5.7. Finishing Up in ACR3.6. Batch-Converting Multiple Images

4. Foundations
4.1. Customizing Settings4.1.1. Color Settings4.1.2. Preferences4.1.2.1. General Settings4.1.2.1.1. Options Check Boxes4.1.2.1.2. History Log4.1.2.2. Interface4.1.2.3. File Handling Settings4.1.2.4. Performance4.1.2.5. Cursors4.1.2.6. Plug-Ins4.2. Views and Zoom4.2.1. Application Bar4.2.2. Windows and Workspaces4.2.2.1. Screen Modes4.2.2.2. Configuring Panels4.2.3. Zoom Tool4.2.4. Hand Tool4.2.5. Navigator Panel4.2.6. Navigating by Keyboard Shortcuts4.3. Selection Tools4.3.1. The Lasso Tool4.3.1.1. Selection Modes4.3.2. The Magnetic Lasso4.3.3. The Magic Wand4.3.4. The Quick Selection Tool4.3.5. Using the Refine Edge Controls4.3.5.1. Color Range Tool4.3.6. Combining Tools4.3.7. Saving and Loading Selections4.4. Brush Tools4.4.1. Brush Panel4.4.2. The Color Replacement Tool4.4.3. The History Brush
5. Workflows and First Steps
5.1. Understanding Layers5.2. Flexible and Traditional Workflows5.2.1. Smart Objects5.2.2. Smart Filters5.2.2.1. An Example of Smart Filters in Action5.2.3. The Flexible Workflow5.2.4. The Traditional Workflow5.3. Cropping and Straightening in Photoshop5.3.1. Cropping5.3.2. Straightening Horizons5.3.2.1. Using the Ruler Tool for Straightening5.3.2.2. Using the Crop Tool for Straightening5.4. Doing Cleanup in Photoshop5.4.1. Zooming, Navigating, and Layering for Cleanup5.4.1.1. Birds-Eye View5.4.1.2. Scrubby Zoom5.4.1.3. Creating a Pixel Layer5.4.2. The Photoshop Cleanup Tools5.4.2.1. Content-Aware Healing5.4.3. Removing Dust5.4.4. Removing an Undesirable Object5.4.5. Creating New Background on Empty Canvas
6. Exposure Adjustments
6.1. Shooting for Optimal Exposure6.2. Using the CS5 Adjustments Panel6.3. Tonal Adjustments with Levels6.3.1. Revealing Detail6.3.1.1. The Clipping Preview6.4. Targeting Adjustments Using a Layer Mask6.4.1. Masking a Selection6.4.2. Using the Color Range Option6.4.3. Painting on a Mask6.4.4. Refining the Layer Mask6.5. Curves6.5.1. Clipping Preview6.5.2. Anchor Points6.5.2.1. Adjusting Anchor Points6.5.2.2. Creating the S Curve6.5.2.3. Locking Down the Curve to Limit Changes6.5.2.4. Curves Presets6.6. Creating a Virtual Split Neutral-Density Filter6.7. Safe Dodge and Burn Layers6.7.1. Setting Up6.7.2. Painting with Light6.7.3. Correcting Mistakes6.8. The Shadows/Highlights Adjustment6.9. Emphasizing Your Subject
7. Color Adjustments
7.1. Recognizing Color Casts7.1.1. Using Hue/Saturation to Reveal a Color Cast7.1.2. Using the Info Panel to Reveal a Color Cast7.2. Removing Color Casts7.2.1. Subjective Methods for Removing a Color Cast7.2.1.1. Using the Gray Eyedropper7.2.1.2. Using a Color Balance Adjustment Layer7.2.2. Objective Method for Removing a Color Cast7.3. Adding a Color Cast7.4. Modifying Colors to Match Nature or Add Impact7.4.1. Adjusting Hue and Saturation7.4.1.1. Colorizing an Image7.4.2. Adjusting Vibrance versus Saturation7.4.3. Fine-Tuning with Selective Color7.5. Using Layer Masks with Color Adjustments
8. Composites
8.1. Creating Panoramas8.1.1. Photomerge8.1.2. Matching the Exposures of Each Segment of the Panorama8.2. Expanding Dynamic Range8.2.1. Shooting to Expand Latitude8.2.2. The "Cookbook" Approach to Expanding Latitude8.2.3. Expanding Latitude via Merge to HDR Pro8.2.3.1. Single-Image HDR8.3. Extending the Depth of Field8.4. Combining Elements from Multiple Pictures8.4.1. Advanced Selection Methods8.4.1.1. Creating a Selection within a Channel8.4.2. Compositing the Elements8.4.3. Replacing a Sky or Other Background
9. Creative Effects
9.1. Black and White9.1.1. Converting to Black and White9.1.1.1. Converting Using the Black & White Adjustment9.1.1.2. Converting to Black and White via the Channel Mixer9.1.2. Colorizing Black-and-White Images9.2. Painterly Images9.3. Filters9.3.1. Using Smart Filters on Smart Objects9.3.2. Using Filters without Smart Objects9.3.3. Lens Correction Filter9.3.4. Blurs9.3.4.1. Gaussian Blurs9.3.4.2. Lens Blur9.3.5. The Liquify Filter9.3.6. Using the Filter Gallery9.4. Digital Montages9.4.1. Blending Modes9.4.2. Surreal Montages9.4.3. Mirror or Flip Montages9.4.4. Mirror Images9.4.5. Multiple-Subject Montages9.5. Digital Multiple Exposures9.6. Content-Aware Scaling
10. Output
10.1. Output Workflow10.1.1. Duplicating the Image10.1.2. Resizing10.1.3. Reducing Noise10.1.3.1. Reduce Noise Advanced Settings10.1.4. Sharpening10.1.4.1. The Unsharp Mask Filter10.1.4.2. The Smart Sharpen Filter10.1.4.3. Targeted Sharpening10.1.4.4. HDR Toning to Augment Sharpening10.2. Printing Your Images10.2.1. Soft-Proofing10.2.2. Configuring the Print Settings10.2.3. Choosing the Best Paper10.2.4. Adding Borders10.3. Creating Business Cards and Greeting Cards10.3.1. Creating a Business-Card Layout10.3.1.1. Adding Text10.3.1.2. Applying Layer Styles10.3.1.3. Saving the Layout10.3.2. Creating the Print Layout10.4. Using Adobe Output Module10.4.1. Contact Sheets10.4.2. Creating a Web Gallery
11. Time-Savers
11.1. Actions and Batch Processing11.1.1. Creating an Action11.1.2. Advanced Controls in Actions11.1.3. Batch Processing11.1.4. Creating a Droplet11.2. Using the Image Processor11.3. Creating a Copyright Brush11.4. Individualizing Keyboard Shortcuts
In-Camera Considerations

Content preview from Photoshop® CS5 for Nature Photographers: A Workshop in a Book

Chapter 3. Adobe Camera Raw

When shooting in RAW you need software to convert the information captured by the sensor into a visible form. Adobe Camera Raw (ACR) began as a basic RAW converter, but has evolved into a comprehensive interface to optimize images. It enables you to modify the algorithms used to convert the images as well as to apply numerous adjustments both globally and locally. In fact, with many images we make most of our adjustments within ACR, in its powerful and easy-to-use interface. What's more, we can even use ACR to adjust TIFF or JPEG files. We'll show you how to use ACR to adjust your images so that you're starting with the best possible files!

Chapter Contents

Using the ACR Interface
Using the Basic Tab
Setting the Other Tabs ...

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Photoshop® CS5 for Nature Photographers: A Workshop in a Book

by Ellen Anon, Josh Anon

Chapter 3. Adobe Camera Raw

Become an O’Reilly member and get unlimited access to this title plus top books and audiobooks from O’Reilly and nearly 200 top publishers, thousands of courses curated by job role, 150+ live events each month,
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