February 2024
Intermediate to advanced
710 pages
30h 6m
English

The introduction and acceptance of new mechanically based devices and processes of visual representation began to alter the viewing content and expectations of imagemakers and the public. Lithography, mezzotint,1 and wood engraving fueled the economic market for the mass production of prints. Daguerre’s high-resolution direct-positive imagemaking method was an ideal fit for these visual conceptions, despite its irreproducibility. The possibility that Talbot’s two-step, negative/positive print system was a more advantageous process was not at first seriously considered. The ...
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