Chapter 2. Exposure Exposed
Figure 2.1. Salvaging a shot from an under- or overexposed capture is a second-rate approach. It’s far better to get the exposure right in the camera. Ultimately, the best exposure is the one that fits your vision for the shot.
The Short Version
Getting the best digital capture possible during the shoot should always be the Speedliter’s #1 goal. “I’ll fix it in Photoshop” ...