Chapter 18. Portraits With One Speedlite
SHOOT: ONE SPEEDLITE WITH FILL REFLECTOR 240
SHOOT: REFLECTING ON THE WORLD OF UMBRELLAS 242
SHOOT: THINK OF THE SHUTTER AS A LIGHT MODIFIER 244
SHOOT: SPEEDLITING A SILHOUETTE 246
SHOOT: SUN AS RIM LIGHT, GELLED SPEEDLITE AS FILL 248
SHOOT: TRYING ALL THE EZYBOXES ON FOR SIZE 250
SHOOT: THROUGH AN UMBRELLA SOFTLY 252
SHOOT: CANDLELIGHT THROUGH A DISK DIFFUSER 254
SHOOT: GRIDDING A SPEEDLITE FOR DRAMA 256
Figure 18.1. Both of these images were lit with a single Speedlite. The difference is the amount of ambient light. There’s a good bit in the left frame. At right, the shutter has eliminated virtually all of the ambient light.
The Short Version
When it comes to photographs, ...
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