Chapter 20. Gelling for Effect
IF COLOR CORRECTION IS NEEDED, DID SOMETHING GO WRONG? 282
GETTING DRAMATIC WITH COLOR 284
MIXING WHITE BALANCE AND GELS CREATIVELY 287
SHOOT: GOLDEN HOUR ANYTIME 288
Figure 20.1. Two Speedlites, two gels, a flag, and a grid created the dramatic light in this noir portrait. For the details, see pages 292–293.
The Short Version
There are two major groups of gels: those that shift the color of one light to another (e.g., daylight to tungsten) and those that create a color effect (e.g., change the color ...
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