July 2014
Intermediate to advanced
486 pages
16h 43m
English
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CHAPTER 5
One of the more interesting career developments in film has been the transition from editors to directors. Two of the most successful, Robert Wise and David Lean, are the subjects of this chapter.
Is it necessary and natural for editors to become directors? The answer is no. Is editing the best route to directing? Not necessarily, but editing can be invaluable, as demonstrated by the subjects of this chapter. What strengths do editors bring to directing? Narrative clarity, for one: Editors are responsible for clarifying the story from all of the footage that the director has shot. This point takes on greater meaning in the following sampling of directors who have entered the field from other areas. ...
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I wanted to learn C and C++, but it didn't click for me until I picked up an O'Reilly book. When I went on the O’Reilly platform, I was astonished to find all the books there, plus live events and sandboxes so you could play around with the technology.Addison B.
I’ve been on the O’Reilly platform for more than eight years. I use a couple of learning platforms, but I'm on O'Reilly more than anybody else. When you're there, you start learning. I'm never disappointed.Amir M.
I'm always learning. So when I got on to O'Reilly, I was like a kid in a candy store. There are playlists. There are answers. There's on-demand training. It's worth its weight in gold, in terms of what it allows me to do.