June 2013
Intermediate to advanced
268 pages
9h 21m
English
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JANE CAMPION AND THE LIMITS OF LITERARY CINEMA
Jane Campion's film The Piano (1993) poses some interesting problems in terms of the relationship between literature and cinema. We can begin by noting that the film itself attracted the kind of sustained analytical criticism which worked to designate it as literary’, even though it was not actually an adaptation. This meant that when the novel-of-the-film appeared a year later-co-written by Jane Campion and Kate Pullinger — it could only be identified as somehow less literary than the film: as if the film was more of a novel than the novel itself. The novel-of-the-film in fact answered some of the film's overhanging enigmas and resolved some of its ambiguities. In other words, it ...
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O’Reilly covers everything we've got, with content to help us build a world-class technology community, upgrade the capabilities and competencies of our teams, and improve overall team performance as well as their engagement.Julian F.
I wanted to learn C and C++, but it didn't click for me until I picked up an O'Reilly book. When I went on the O’Reilly platform, I was astonished to find all the books there, plus live events and sandboxes so you could play around with the technology.Addison B.
I’ve been on the O’Reilly platform for more than eight years. I use a couple of learning platforms, but I'm on O'Reilly more than anybody else. When you're there, you start learning. I'm never disappointed.Amir M.
I'm always learning. So when I got on to O'Reilly, I was like a kid in a candy store. There are playlists. There are answers. There's on-demand training. It's worth its weight in gold, in terms of what it allows me to do.