July 2012
Beginner
336 pages
9h 29m
English
book
Archival Storytelling: A Filmmaker's Guide to Finding, Using, and Licensing Third-Party Visuals and Music
by Sheila Curran Bernard, Kenn Rabin
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CHAPTER 12
The Public Domain
Filmmakers wanting to use material protected under intellectual property laws, as described in the previous chapter, will generally need to seek permission and perhaps pay a fee for that use. In some circumstances, filmmakers in the United States may claim the fair use exception to copyright (Chapter 14). And in some cases, as described in this chapter, there is no need to seek permission because the material is not, or is no longer, protected by intellectual property laws. When this happens, and there are no copyright, trademark, or patent restrictions involved, the material is described as being in the public domain. The public has free access to use and reuse the intellectual property contained in the material ...
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O’Reilly covers everything we've got, with content to help us build a world-class technology community, upgrade the capabilities and competencies of our teams, and improve overall team performance as well as their engagement.Julian F.
I wanted to learn C and C++, but it didn't click for me until I picked up an O'Reilly book. When I went on the O’Reilly platform, I was astonished to find all the books there, plus live events and sandboxes so you could play around with the technology.Addison B.
I’ve been on the O’Reilly platform for more than eight years. I use a couple of learning platforms, but I'm on O'Reilly more than anybody else. When you're there, you start learning. I'm never disappointed.Amir M.
I'm always learning. So when I got on to O'Reilly, I was like a kid in a candy store. There are playlists. There are answers. There's on-demand training. It's worth its weight in gold, in terms of what it allows me to do.