May 2011
Intermediate to advanced
624 pages
21h 19m
English
Content preview from DAFX: Digital Audio Effects, Second EditionBecome an O’Reilly member and get unlimited access to this title plus top books and audiobooks from O’Reilly and nearly 200 top publishers, thousands of courses curated by job role, 150+ live events each month,
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References
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[BDA+05] J. P. Bello, L. Daudet, S. A. Abdallah, C. D. Duxbury, M. E. Davies and M. B. Sandler. A tutorial on onset detection in music signals. IEEE Transactions on Speech and Audio Processing, 13(5): 1035–1047, September 2005.
[Bla01] J. Blauert. Spatial Hearing. MIT Press, Cambridge, MA, 2001.
[BP78] A. S. Bregman and S. Pinker. Auditory streaming and the building of timbre. Canadian Journal of Psychology, 32(1): 19–31, 1978.
[Bre90] A. S. Bregman. Auditory Scene Analysis: The Perceptual Organization of Sound. MIT Press, Cambridge, MA, 1990.
[BW01] M. S. Brandstein and D. B. Ward (eds). Microphone Arrays: Signal Processing Techniques and Applications. Springer, New York, NY, 2001.
[FM04] C. Faller and J. Merimaa. Source localization in complex listening situations: Selection of binaural cues based on interaural coherence. Journal of the Acoustical Society of America, 116(5): 3075–3089, November 2004.
[Gai93] W. Gaik. Combined evaluation of interaural time and intensity differences: Psychoacoustic results and computer modeling. Journal of the Acoustical Society of America, 94(1): 98–110, 1993.
[Gor84] J. W. Gordon. Perception of Attack Transients in Musical Tones. PhD thesis, Department of Music, Stanford University, California, USA, 1984.
[Gro96] S. Grossberg. Pitch-based streaming ...
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I'm always learning. So when I got on to O'Reilly, I was like a kid in a candy store. There are playlists. There are answers. There's on-demand training. It's worth its weight in gold, in terms of what it allows me to do.