June 2024
Intermediate to advanced
554 pages
17h 23m
English
Content preview from Digital Compositing for Film and Video, 5th Edition
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Acknowledgement
One of the great challenges to writing a book on compositing visual effects is that you need footage – lots of footage. You need greenscreens, background plates, digital matte paintings, and CG renders. Fortunately, there are many people out there that are willing to share their work so that all of us in the visual effects industry may benefit. To these talented and generous filmmakers, I owe the following thanks.
First of many thanks to Marcin Biegunajtys, the energetic owner of Manmade Media Studio in Denver. He generously fired up his great and powerful RED Dragon for an all-day greenscreen shoot that provided several pictures used in this book. I hope to return the favor one day by learning how to correctly pronounce his ...
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I wanted to learn C and C++, but it didn't click for me until I picked up an O'Reilly book. When I went on the O’Reilly platform, I was astonished to find all the books there, plus live events and sandboxes so you could play around with the technology.Addison B.
I’ve been on the O’Reilly platform for more than eight years. I use a couple of learning platforms, but I'm on O'Reilly more than anybody else. When you're there, you start learning. I'm never disappointed.Amir M.
I'm always learning. So when I got on to O'Reilly, I was like a kid in a candy store. There are playlists. There are answers. There's on-demand training. It's worth its weight in gold, in terms of what it allows me to do.