Chapter 7The Director
Filmmaking is a craft that demands a rare blend of skills. It requires not only the honing of one's own creativity but also the ability to coordinate and direct a diverse team of craftspeople so that they bring their own unique artistry to serve the filmmaker's singular vision. Like CEOs, filmmakers have an array of management systems (both formal and informal) at their fingertips, though with critics' reviews and box office returns, they have very different metrics for success. Few balance these factors as masterfully as Sam Pollard, an award‐winning director, editor, and storyteller whose career spans five decades and countless acclaimed works.
Raised in East Harlem in the 1950s and '1960s, Sam's filmmaking career began unexpectedly, after a detour to university to earn – of all things – a business degree. His first jobs in the industry were as an apprentice editor on feature films before he moved into documentaries. In the 1980s, his profile began rising sharply as he collaborated with renowned documentary producer Henry Hampton, initially as an editor and director on the landmark PBS civil rights documentary series Eyes on the Prize. Sam's meticulous craftsmanship and sensitivity to historical nuance quickly established his reputation in the documentary world.
Sam's collaborations with director Spike Lee, starting in the late 1980s, became especially ...
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