book

Information Visualization, 3rd Edition

by Colin Ware

May 2012

Beginner to intermediate

536 pages

16h 18m

English

Morgan Kaufmann

Read now

Unlock full access

Visualization StagesExperimental Semiotics Based on PerceptionSemiotics of GraphicsSensory versus Arbitrary SymbolsGibson's Affordance TheoryA Model of Perceptual ProcessingCosts and Benefits of VisualizationTypes of DataMetadataConclusion
The EnvironmentThe EyeThe Optimal DisplayConclusion
Neurons, Receptive Fields, and Brightness IllusionsLuminance, Brightness, Lightness, and GammaPerception of Surface LightnessMonitor Illumination and Monitor SurroundsConclusion
Trichromacy TheoryColor MeasurementOpponent Process TheoryProperties of Color ChannelsColor AppearanceApplications of Color in VisualizationApplication 1: Color Specification Interfaces and Color SpacesApplication 2: Color for Labeling (Nominal Codes)Application 3: Color Sequences for Data MapsApplication 4: Color ReproductionConclusion

Eye MovementsV1, Channels, and Tuned ReceptorsPreattentive Processing and Ease of SearchIntegral and Separable Dimensions: Glyph DesignRepresenting QuantityThe Searchlight Metaphor and Cortical MagnificationConclusion
Gestalt LawsTexture: Theory and Data MappingPerception of Transparency: Overlapping DataPerceiving Patterns in Multidimensional Discrete DataPattern LearningThe Visual Grammar of Node–Link DiagramsThe Visual Grammar of MapsPatterns in MotionPerception of Animated MotionThe Processes of Pattern Finding
Depth Cue TheoryDepth Cues in CombinationTask-Based Space PerceptionTracing Data Paths in 3D GraphsJudging the Morphology of SurfacesPatterns of Points in 3D SpacePerceiving Patterns in 3D TrajectoriesJudging Relative Positions of Objects in SpaceJudging the Relative Movements of Self within the EnvironmentSelecting and Positioning Objects in 3DJudging the “Up” DirectionThe Aesthetic Impression of 3D Space (Presence)Conclusion
Image-Based Object RecognitionStructure-Based Object RecognitionThe Object Display and Object-Based DiagramsFacesCoding Words and ImagesLabels and ConceptsConcept MappingIconic Images versus Words versus Abstract SymbolsScenes and Scene GistConclusion
The Nature of LanguageIntegrating Visual and Verbal and the Narrative ThreadAnimated versus Static PresentationsVisual NarrativeConclusion
Data Selection and Manipulation LoopExploration and Navigation LoopFocus, Context, and Scale in Nonmetaphoric InterfacesConclusion
The Cognitive SystemMemory and AttentionLong-Term MemoryKnowledge Formation and Creative ThinkingVisualizations and Mental ImagesReview of Visual Cognitive System ComponentsVisual Thinking AlgorithmsAlgorithm 1: Visual QueriesAlgorithm 2: Pathfinding on a Map or DiagramAlgorithm 3: Reasoning with a Hybrid of a Visual Display and Mental ImageryAlgorithm 4: Design SketchingAlgorithm 5: BrushingAlgorithm 6: Small Pattern Comparisons in a Large Information SpaceAlgorithm 7: Degree-of-Relevance HighlightingAlgorithm 8: Generalized Fisheye ViewsAlgorithm 9: Multidimensional Dynamic Queries with Scatter PlotAlgorithm 10: Visual Monitoring StrategiesConclusion

Content preview from Information Visualization, 3rd Edition

Preface

There are two major changes in this latest edition of Information Visualization: Perception for Design. The first is intended to make the design implications of research in perception clearer. To this end, 168 explicit guidelines for the design of visualizations have been added to the text in highlighted boxes. These guidelines should be taken as suggestions to support design decisions, not as hard and fast rules. Designing visualizations is a complex task, and it is not possible with a succinct guideline to set out all the circumstances under which a particular rule may apply. Graphic designers must take into account interactions between small symbols and large areas of color and texture as well as shading effects, shape effects, the ...