November 2019
Intermediate to advanced
218 pages
7h 49m
English
“I’ve had so many shows I’ve played ruined by really bad sound mixers and seen somany shows that were ruined by a bad sound mix, that I welcome the idea.”
Reaction on pro audio forum Gearslutz, to “Aural perfection without the sound engineer,” New Scientist, January 2010.
Intelligent Music Production is at present a growing and exciting field of research and many commercial devices based on its principles have started to emerge. The tools described in this chapter mainly address the technical constraints and challenges of music production, and are meant to automate various existing technologies that ordinarily would be performed manually. This then allows the sound engineer to concentrate on more creative aspects of the mix. ...