Contents
Foreword by Alan Baumgarten, A.C.E.
Part 1 Retrospective on Traditional Filmmaking
1.1 Retrospective on Traditional Filmmaking
1.1.1 Historical Approach in Shooting and Projecting Film
1.1.2 Developing and Processing at the Lab
1.1.3 Editing Using a Film Work Print
1.1.4 Negative Assembly at the Lab
1.1.5 Color Timing Using Printer Lights
1.2 Evolution of Video Editing
1.2.1 Early Offline Nonlinear Editing Systems
1.2.4 Transition from NTSC to HDTV
Part 2 The Digital Film Frontier
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