Book description
Music Publishing covers the basics of how a composition is copyrighted, published, and promoted. Publishing in the music business goes far beyond the physical sheet--it includes live performance and mechanical (recording) rights, and income streams from licensing deals of various kinds. A single song can generate over thirty different royalty streams, and a writer must know how these royalties are calculated and who controls the flow of the money.
Taking a practical approach, the authors -- one a successful music publisher and attorney, the other a songwriter and music business professor -- explain in simple terms the basic concept of copyright law as it pertains to compositions. Throughout, they give practical examples from "real world" situations that illuminate both potential pitfalls and possible upsides for the working composers.
Table of contents
- Contents
- Figures
- Foreword
- Introduction
- 1 A brief history of music publishing and copyright law
-
2 Sources of income, royalties, and licenses
- Sources of income
- Performing rights: music played on radio, television, and in public establishments
- Synchronization rights: music embedded in film or television productions
- Mechanical rights: royalties generated from record sales and downloads
- Licenses, assignments, and transfers of rights
- Mechanical license fees and the Harry Fox Agency
- Controlled-composition clause
-
3 Performing rights
- The performing right
- Performing Rights Organizations
- Title Registrations: the roadmap to performance royalties
- Song performances, identification, and music surveys
- Cue sheets
- Income from radio play
- Income from television
- Performing rights and live performances
- Songwriters and the Performing Rights Organizations
- Choosing a Performing Rights Organization
- Accessing Performing Rights Organizations
- 4 Publishing companies
- 5 Publishing deals
- 6 Independent songwriters
- 7 Music in film and television
- 8 Music in advertising and Production Music Libraries
- 9 Classical music, Broadway, print music, and educational music
- 10 Foreign publishing revenue, rights, and deals
- 11 New media, technology, and copyright
- 12 Legal issues and artist representation
-
13 Music organizations and resources
-
Making use of songwriter organizations
- Organizations that cover specific genres of music
- National Association of Music Merchandisers (NAMM)
- National Academy of Recording Arts and Sciences (NARAS)
- Nashville Songwriters Association International (NSAI)
- Country Music Association (CMA)
- Academy of Country Music (ACM)
- International Bluegrass Music Association (IBMA)
- North American Folk Music and Dance Alliance
- Gospel Music Association (GMA)
- California Copyright Conference (CCC)
- Association of Independent Music Publishers (AIMP)
- South by Southwest Music Conference (SXSW)
- Music and Entertainment Industry Educators Association (MEIEA)
- American Music Center (AMC)
- Taxi
- Songwriting contests
- Songpluggers
- Unions
- Arts organizations
- Special material
- Books
- Periodicals and reference materials
- The last word
-
Making use of songwriter organizations
- Bibliography
- Index
Product information
- Title: Music Publishing
- Author(s):
- Release date: August 2008
- Publisher(s): Routledge
- ISBN: 9781135921989
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