September 2019
Intermediate to advanced
180 pages
4h 53m
English
This final section considers a number of common strategies for recording acoustic sound sources through microphones, and it covers solo piano, soloists with piano accompaniment, and small ensembles, as well as studio techniques that can enhance or replace the capture of performances in ambient spaces. The descriptions of miking contained in the following chapters should, however, be regarded as guidelines, suggestions for microphone placement to be modified according to the desired soundscape for a project. Since recording has always been a highly subjective art, no single procedure should be regarded as the correct (or only) way to represent the character of either an individual sound source or a group of ...
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