February 2017
Beginner to intermediate
880 pages
30h 11m
English
Content preview from Recording Studio Design, 4th EditionBecome an O’Reilly member and get unlimited access to this title plus top books and audiobooks from O’Reilly and nearly 200 top publishers, thousands of courses curated by job role, 150+ live events each month,
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p.221
[Rooms with acoustically different zones. Rooms with directional acoustics. Changeable surfaces. Acoustic change by rotating panels. Considerations concerning different room sizes.]
A degree of acoustic variability in a recording studio is a useful asset. It allows areas of the recording spaces to be better suited to the ‘natural’ acoustics for which many instruments were made. The variability also allows a studio to accommodate different types of recording, as opposed to just specialising in the recordings that suit the fixed acoustics. As discussed in Chapter 5, acoustic neutrality, although very useful in many circumstances, is not the answer when a more naturally ambient type ...
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