May 2020
Intermediate to advanced
414 pages
13h 52m
English
The relationship between video and electroacoustic music from a composer’s perspective
This chapter was originally presented at various international conferences between 2006–2008, but was never formally published. Its inclusion within this volume provides a permanent published record of the perspectives and ideas within and reflects the significant influence that the author had upon the editor as an undergraduate student, introducing him to the audiovisual.
This chapter is where this book began.
As the enabling technologies for creative work with digital audio now reside on the same computers as those used for video applications, composers have the, relatively ...
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