August 2022
Intermediate to advanced
546 pages
14h 12m
English
Content preview from The Pocket Lawyer for Filmmakers, 3rd Edition
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INDEX
Note: Page numbers in italics indicate figures and tables.
- above-the-line (ATL) 213; costs 59; directors 214–215; producers 213–214
- above-the-line services agreement 215–229; accounting 221; assignment 228; automated dialogue replacement (ADR) 218; compens ation 220–221; conditions precedent 216–217; confidentiality 224; costs and expenses 220; credit 222–223; engagement 217–218; exclusivity 218–220; festivals and premieres 229; final say/production company controls 225–226; fixed compensation 221; further documents 228; indemnification 225; inducement 228; morals clause 226–227; option on future services 220; parties 216; pay or play 224; performance and delivery requirements 223; postproduction services 218; profit participation 221 ...
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I wanted to learn C and C++, but it didn't click for me until I picked up an O'Reilly book. When I went on the O’Reilly platform, I was astonished to find all the books there, plus live events and sandboxes so you could play around with the technology.Addison B.
I’ve been on the O’Reilly platform for more than eight years. I use a couple of learning platforms, but I'm on O'Reilly more than anybody else. When you're there, you start learning. I'm never disappointed.Amir M.
I'm always learning. So when I got on to O'Reilly, I was like a kid in a candy store. There are playlists. There are answers. There's on-demand training. It's worth its weight in gold, in terms of what it allows me to do.