October 2012
Beginner
265 pages
5h 40m
English
Content preview from Tony White's Animator's Notebook
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O’Reilly covers everything we've got, with content to help us build a world-class technology community, upgrade the capabilities and competencies of our teams, and improve overall team performance as well as their engagement.I wanted to learn C and C++, but it didn't click for me until I picked up an O'Reilly book. When I went on the O’Reilly platform, I was astonished to find all the books there, plus live events and sandboxes so you could play around with the technology.I’ve been on the O’Reilly platform for more than eight years. I use a couple of learning platforms, but I'm on O'Reilly more than anybody else. When you're there, you start learning. I'm never disappointed.I'm always learning. So when I got on to O'Reilly, I was like a kid in a candy store. There are playlists. There are answers. There's on-demand training. It's worth its weight in gold, in terms of what it allows me to do.
Weight
The creation of weight in animation is something that challenges many animators. Far too many characters and objects that are poorly animated tend to float around as if they are of no volume or mass at all—or more importantly, they are impervious to the effects of gravity. However, the animation that really works, that convinces us that the characters are working and existing within a real world subject to the laws of that real world, are those that have an element of weight integrated into their movement.
Weight is not an easy quality to define, but there are essential core rules and principles that we can add to our animation that make everything we do more convincing. In the previous notebook on jumps, we began to hint at ...
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