March 2017
Beginner
196 pages
4h 4m
English
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11Getting Seen
The Festival Circuit
Let’s face it—every filmmaker intends to show at film festivals. Unfortunately, there are no guarantees that a film will make it into a festival. And then, of course, there are entry fees that stack up if you apply to many of them. The average filmmaker spends between $2,000 and $3,000 on submissions. But festivals are the first go-to if you want your work to be seen and taken seriously.
It will take a lot of work and deep-thought strategy to negotiate the festival world, but you’ll need to do that if you want to make any headway in your career. And it’s a given that career will involve getting feature films made. Because your short is your calling card (as we’ve talked about before), you’ll want to use festivals ...
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O’Reilly covers everything we've got, with content to help us build a world-class technology community, upgrade the capabilities and competencies of our teams, and improve overall team performance as well as their engagement.Julian F.
I wanted to learn C and C++, but it didn't click for me until I picked up an O'Reilly book. When I went on the O’Reilly platform, I was astonished to find all the books there, plus live events and sandboxes so you could play around with the technology.Addison B.
I’ve been on the O’Reilly platform for more than eight years. I use a couple of learning platforms, but I'm on O'Reilly more than anybody else. When you're there, you start learning. I'm never disappointed.Amir M.
I'm always learning. So when I got on to O'Reilly, I was like a kid in a candy store. There are playlists. There are answers. There's on-demand training. It's worth its weight in gold, in terms of what it allows me to do.