9Color Correction

WWW To download the web content for this chapter go to the website www.routledge.com/cw/wright, select this book then click on Chapter 9.

The objective of this chapter is to help you to make photo-realistic color corrections for your composites. You have pulled your best key, done a great spill suppression, and executed a fine composite, but if the color correction is not photorealistic you do not have a shot. Color correction is probably the most critical aspect of producing a photorealistic composite. It is also the thing that eludes most beginning visual effects artists.

Photorealistic color correction begins by understanding the behavior of light – how it falls off with distance, reacts to diffuse or specular surfaces, ...

Get Digital Compositing for Film and Video, 4th Edition now with the O’Reilly learning platform.

O’Reilly members experience books, live events, courses curated by job role, and more from O’Reilly and nearly 200 top publishers.