THE FILMED CONCERT WORKFLOW: THE ROLLING STONES’ SHINE A LIGHT*
Oliver Peters
It's fun to look at the challenges working editors face every day on real projects. Multicamera films are an especially good study, because they often take the form of large events, spectacles, and concerts. There's no better example than Shine a Light, Martin Scorsese's concert film featuring the Rolling Stones, which was released in both standard 35 mm and IMAX. Scorsese was instrumental in inventing the rock ‘n’ roll concert film genre as an editor on Woodstock and the director of The Last Waltz. Here he continued his passion for the art form by teaming up with none ...
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