August 2018
Beginner
444 pages
15h 39m
English
Content preview from Mixing Secrets for the Small Studio, 2nd Edition
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O’Reilly covers everything we've got, with content to help us build a world-class technology community, upgrade the capabilities and competencies of our teams, and improve overall team performance as well as their engagement.I wanted to learn C and C++, but it didn't click for me until I picked up an O'Reilly book. When I went on the O’Reilly platform, I was astonished to find all the books there, plus live events and sandboxes so you could play around with the technology.I’ve been on the O’Reilly platform for more than eight years. I use a couple of learning platforms, but I'm on O'Reilly more than anybody else. When you're there, you start learning. I'm never disappointed.I'm always learning. So when I got on to O'Reilly, I was like a kid in a candy store. There are playlists. There are answers. There's on-demand training. It's worth its weight in gold, in terms of what it allows me to do.
You should now have enough tools and techniques at your disposal to create a good static mix balance. If you’ve worked through the end-of-chapter Assignment suggestions, you should also have gained some practical insight into which processes suit different balance problems within your musical style of choice. In other words, you’ll have started to interpret the subtle whisperings of fader instability that are trying to tell you what the music needs. As I openly admitted back at the start of Chapter 8, the step-by-step procedure implied by the Assignments has no foundation in real-world mixing practice, but I make no apologies for that, because it makes the vastness of the subject easier to grasp initially. ...
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