November 2012
Intermediate to advanced
148 pages
3h 17m
English
Content preview from On Film EditingBecome an O’Reilly member and get unlimited access to this title plus top books and audiobooks from O’Reilly and nearly 200 top publishers, thousands of courses curated by job role, 150+ live events each month,
O’Reilly covers everything we've got, with content to help us build a world-class technology community, upgrade the capabilities and competencies of our teams, and improve overall team performance as well as their engagement.I wanted to learn C and C++, but it didn't click for me until I picked up an O'Reilly book. When I went on the O’Reilly platform, I was astonished to find all the books there, plus live events and sandboxes so you could play around with the technology.I’ve been on the O’Reilly platform for more than eight years. I use a couple of learning platforms, but I'm on O'Reilly more than anybody else. When you're there, you start learning. I'm never disappointed.I'm always learning. So when I got on to O'Reilly, I was like a kid in a candy store. There are playlists. There are answers. There's on-demand training. It's worth its weight in gold, in terms of what it allows me to do.
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Smooth Cutting—The Ideal
Film is a deceptive art—in many ways. Its collaborative nature is axiomatic, yet more than in most art forms, that collaboration is hidden from the audience. In a good film, the whole will always be greater than the sum of its parts. Every honest filmmaker strives to make a film which so enthralls the viewer that he lives and breathes only with the beings on the screen. If that viewer, during his first look at the film, is critically conscious of the sets, the photography, the acting, the director’s “touches,” the “brilliance” of the dialogue or the musical score, the good director knows he has come up short of perfection. A film’s first viewing should evoke emotional, not critical, reaction. Nothing so warms the heart ...
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