December 2019
Intermediate to advanced
388 pages
11h 39m
English
Tracking a project in animation can be a colossal challenge unless it is handled with forethought, diligence, and consistency. It is both data-driven and also an area where a producer’s expertise and creativity come into play. Working backwards from a due date to assign weekly quotas is just a first step as s/he confers with the director and supervisors (if applicable) to generate realistic goals alongside devising a schedule that can withstand the inevitable “what ifs.” The ability to accommodate re-casting voice talent, to deal with software inefficiencies, and to work around a lack of available artists are all part of the backup plans that a producer should be comfortable with putting ...
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