Book description
Don’t let your indie film be sabotaged by bad sound! One of the weakest technical aspects of a low or no budget short or feature film is usually the sound, and in Sound Design for Low and No Budget Films, author Patrick Winters explains what filmmakers need to do to fix that. Learn how to improve the sound quality of your low budget film with specific tools and practices for achieving a better sound track, including detailed, step-by-step explanations of how to edit your production track, create a sound design, record and edit ADR, Foley and sound effects, music, and much more. Focusing on the essential details indie filmmakers need to know, Winters teaches you how to turn a thin and distracting sound track into one that makes your film shine.
This practical guide offers:
• In-depth focus on hands-on, step-by-step instruction for achieving great sound in post-production, including recording and editing sound effects, ADR and Foley—even without expensive equipment and software.
• Techniques specifically designed for low and no budget projects, perfect for both students and aspiring indie filmmakers.
• A simple and direct style that any aspiring filmmaker or student can understand without already knowing the industry jargon.
Table of contents
- Cover
- Title
- Copyright
- Dedication
- Contents
- Preface
- Acknowledgments
- CHAPTER 1 Introduction
- CHAPTER 2 Location Sound: How Was That for Sound?
- CHAPTER 3 Sound Design
- CHAPTER 4 Dialogue Editing: It's Work, Not Magic
- CHAPTER 5 ADR: What Did They Say?
- CHAPTER 6 Walla/Group/Loop Group/Group ADR/Rhubarb: Why Can't I Hear Them?
- CHAPTER 7 Narration: It Isn't Dialogue
-
CHAPTER 8 Sound Effects: Creating Reality
- a. Sound Effect Functions
- b. Types of Sound Effects
- c. The Grey Area (Foley and Sound Effects)
- d. Production Sound Effects
- e. Location Sound Effects
- f. Custom-Recorded Sound Effects
- g. Foley Sound Effects
- h. Library Sound Effects
- i. Spotting
- j. Creating
- k. Recording
- l. Editing
- m. Processing
- n. Exercise
- CHAPTER 9 Foley: Who or What is Foley?
- CHAPTER 10 Backgrounds: What's an Ambience, Atmosphere or Background?
-
CHAPTER 11 Musical Score: In the Mood?
- a. Introduction
- b. Making Notes
- c. Spotting Session
- d. Cues
- e. Hits or Hit Points
- f. Tempo Map
- g. Click Tracks and Guide Tracks
- h. Temp Scores
- i. Music Software
- j. Scoring
- k. Theme and Motif
- l. Titles, Montage and Credits
- m. Composing, Arranging, Orchestrating and Instrumentation
- n. Mock-Ups
- o. Recording Performance (Tracking)
- p. Digital Music
- q. GarageBand
- r. Song Score, Pop Music and Source Music
- s. Cue Packages
- t. Bands
- u. Musicals
- v. Library Music: Hard Drives, CDs and Downloads
- w. Editing
- x. Stems
- y. Mixing
- z. Deliverables
- aa. Exercise
- CHAPTER 12 Mixing Myself Preparation
-
CHAPTER 13 Premixing or Predubbing and DSP
- a. Introduction
- b. Mix Preparation
- c. Track Layout
- d. Virtual Mixing
- e. Mix Tools
- f. Levels
- g. Gain Staging
- h. Fades
- i. Panning
- j. Constant Gain or Constant Power
- k. Equalization
- l. Compression
- m. Normalizing
- n. Noise Gate
- o. Expansion
- p. Exciter
- q. De-Esser
- r. Noise Reduction
- s. Reverberation and Delays
- t. De-Verberation
- u. Effects and Filters
- v. Limiter
- w. Premixing
- x. Buses, Auxes, Sends and Returns
- y. VCA Faders
- z. Master Fader
- aa. Metering
- bb. 2-Pops and Tail Pops
- cc. Dialogue and ADR Premix
- dd. Foley Premix
- ee. Sound Effects Premix
- ff. Design Effects Premix
- gg. Backgrounds Premix
- hh. Music Premix
- ii. Temp Mix
- CHAPTER 14 Mixing Myself
- CHAPTER 15 Studio Mix
- CHAPTER 16 Deliverables
- CHAPTER 17 Summary
- Glossary
- Bibliography
- Index
Product information
- Title: Sound Design for Low & No Budget Films
- Author(s):
- Release date: January 2017
- Publisher(s): Routledge
- ISBN: 9781317557920
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