January 2013
Intermediate to advanced
330 pages
11h 12m
English
Content preview from Compositing Visual Effects, 2nd EditionBecome an O’Reilly member and get unlimited access to this title plus top books and audiobooks from O’Reilly and nearly 200 top publishers, thousands of courses curated by job role, 150+ live events each month,
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One of the problems with doing visual effects for feature films is that the client is steeped in film formats and nomenclature but the poor digital artist is only exposed to pixels. The process is so digital now that you can go through an entire visual effects career and never see or touch a real piece of film. Added to this lack of exposure is the fact that film has a great many different formats, some even with non-square pixels. The main purpose of this chapter is to describe the most common film formats you are likely to encounter, what they are used for, their aspect ratios, and their scanned image resolutions. Along the way it is hoped you ...
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I wanted to learn C and C++, but it didn't click for me until I picked up an O'Reilly book. When I went on the O’Reilly platform, I was astonished to find all the books there, plus live events and sandboxes so you could play around with the technology.Addison B.
I’ve been on the O’Reilly platform for more than eight years. I use a couple of learning platforms, but I'm on O'Reilly more than anybody else. When you're there, you start learning. I'm never disappointed.Amir M.
I'm always learning. So when I got on to O'Reilly, I was like a kid in a candy store. There are playlists. There are answers. There's on-demand training. It's worth its weight in gold, in terms of what it allows me to do.