January 2013
Intermediate to advanced
330 pages
11h 12m
English
Content preview from Compositing Visual Effects, 2nd EditionBecome an O’Reilly member and get unlimited access to this title plus top books and audiobooks from O’Reilly and nearly 200 top publishers, thousands of courses curated by job role, 150+ live events each month,
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13.1 INTRODUCTION
In the days of yore, there was video for TV and 35mm film for feature films. Period. Those days are gone forever. Video is still used for TV, but now it’s HD. And for feature films, there is still film, but now there is a long list of video and digital capture options that are being used in movie production today, and more coming every year. There is even a new term for this—the data-centric workflow—which encapsulates the all-digital workflow from digital capture to disk to post-production to projection. In this chapter we will sort out the various digital media and how they relate to visual effects compositing for feature films. ...
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I wanted to learn C and C++, but it didn't click for me until I picked up an O'Reilly book. When I went on the O’Reilly platform, I was astonished to find all the books there, plus live events and sandboxes so you could play around with the technology.Addison B.
I’ve been on the O’Reilly platform for more than eight years. I use a couple of learning platforms, but I'm on O'Reilly more than anybody else. When you're there, you start learning. I'm never disappointed.Amir M.
I'm always learning. So when I got on to O'Reilly, I was like a kid in a candy store. There are playlists. There are answers. There's on-demand training. It's worth its weight in gold, in terms of what it allows me to do.