book

Recording and Voice Processing, Volume 2

January 2022

Beginner to intermediate

238 pages

5h 8m

English

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Target audienceStructure and contents of the bookConventionsVocabulary and definitionAcknowledgments
1.1. The materials1.2. The software1.3. Conclusion
2.1. The capture and processing chain2.2. Microphone preamplifiers2.3. Digital audio interfaces2.4. Multi-channel headphone amplifiers2.5. Monitoring speakers2.6. Amplifiers for passive speakers2.7. Monitoring controllers2.8. Conclusion
3.1. Artist, comfort and environment3.2. The choice of microphone3.3. Constraints and accessories3.4. Positioning the microphone3.5. Feedback3.6. The voice-only mix3.7. Recording multiple performers3.8. Recording a choir3.9. Recording a voice-over3.10. Conclusion
4.1. The vocoder4.2. The talkbox4.3. Auto-tune4.4. Melodyne4.5. Voice processors4.6. Finally

A1.1. IntroductionA1.2. Bel and decibelA1.3. The different variants of the dBA1.4. Conclusion
A2.1. IntroductionA2.2. Coaxial jackA2.3. XLR plugA2.4. XLR cables and adapter jacksA2.5. USB connectorA2.6. Sub-D connectorA2.7. BNC connectorA2.8. RCA connectorA2.9. Toslink connectorA2.10. Conclusion
A3.1. IntroductionA3.2. Compression pluginsA3.3. Equalization pluginsA3.4. De-Esser pluginsA3.5. Delay and reverb plugins
A4.1. IntroductionA4.2. The AB pairA4.3. The XY pairA4.4. The ORTF pairA4.5. The MS pairA4.6. The Decca treeA4.7. The Blumlein methodA4.8. The Faulkner ArrayA4.9. The sound-absorbing disk methodA4.10. The artificial headA4.11. Conclusion
HyperlinksSoftware publishersHardware manufacturersTalkbackPluginsAcousticsVocoderHome StudioSound effectsAudio filteringThe voiceAudio software tutorialsInterfaces and communicationGeneral sites