March 2020
Intermediate to advanced
312 pages
4h 19m
English
THE CAMERA HAS A WAY OF TRICKING US into believing it sees the world the way we do, immersed as we are in three dimensions and the sensuality of real life. It tricks us into thinking we photograph trees and buildings, people, and flowers—whatever it is you point your lens at. But the final image is an interpretation in line, shape, tone, and colour of what we saw. It is a graphic thing, and like all graphics, the materials with which we make them are simple: point, line, and shape.
I say this because we too often forget this. We are seduced by the depth of the real world and everything that’s going on in front of the lens; it is only later, when we return to the final image, that we see the lines do ...
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