August 2012
Intermediate to advanced
592 pages
21h 45m
English
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Chapter 9
Spotting the Picture for Sound and Music
“The studio jet is waiting for me, so we're gonna have to run through the picture changes as we spot the music, the dialog, and sound effects all at once—okay?”
– Steven Spielberg, announcing his combined spotting-session intentions as he sat down behind the flatbed machine to run his segment of Twilight Zone: The Motion Picture
Spotting sessions are extremely important in the ongoing quest to produce the requisite desired final soundtrack. They present an opportunity for the director to mind-meld with the music composer and the supervising sound editor(s) on the desired style and scope of work in a precise sequence-by-sequence, often cue-by-cue, discussion. The various functions (music, sound ...
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I'm always learning. So when I got on to O'Reilly, I was like a kid in a candy store. There are playlists. There are answers. There's on-demand training. It's worth its weight in gold, in terms of what it allows me to do.