Acknowledgments
In writing this book, I have been very aware of my debts to the many people with whom I have worked on theatre productions in the United States, England, and other countries, and to my entire theatregoing experience. I am particularly indebted to the students in Theatre 211: Introduction to Drama and Theatre at the University of Michigan, who in successive years have shared their thoughts with me and criticized mine, and also to all colleagues and students with whom I have worked on productions and in practical classes in the Department of Theatre at Ann Arbor. For all this indispensable and continuous help, I am most grateful.
After the first draft was written a number of friends and colleagues did me the great service of reading ...
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