January 2023
Intermediate to advanced
442 pages
15h
English
Some of the most interesting screen-based drama today is in episodic writing (which is what television writing is now often called). The question faced by the writer, then, is how to introduce the complexity made possible by multiple storylines and still give the script coherence. Addressing these questions is worth a complete book in itself (e.g., William Rabkin’s Writing the Pilot, Pamela Douglas’s Writing the TV Drama Series, and Martie Cook’s Write to TV). In this chapter, we will look broadly at episodic writing and argue that these multiple threaded scripts are highly dependent on theme and premise, character line, and tone to organize their stories.
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