January 2023
Intermediate to advanced
442 pages
15h
English
Content preview from Alternative Scriptwriting, 6th Edition
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17 Reframing the Active/Passive Character Distinction
On the most superficial level, film is primarily a medium founded on the illusion of believability—what we see looks real (most of the time). Thus, the focus of the producer and, consequently, the writer is on making what the audience sees as engaging as possible. What are the implications of this for the character? Does every main character have to be active, attractive, energetic, and find themself in an abundance of conflicting situations? Sure, those kinds of characters are easy to identify with, but they are also characters we rarely find in real life.
In this chapter, we challenge the notion that the central character must be active and energetic to ensure ...
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I'm always learning. So when I got on to O'Reilly, I was like a kid in a candy store. There are playlists. There are answers. There's on-demand training. It's worth its weight in gold, in terms of what it allows me to do.