June 2025
Intermediate to advanced
278 pages
6h 48m
English
Content preview from Cutting Rhythms, 3rd Edition
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CHAPTER 7 Physical Rhythm
In the late 1920s Soviet filmmaker Dziga Vertov made a strong argument, in words and through his films, for editing being a means of showing the truth of the movement of the world:
To edit; to wrest, through the camera, whatever is most typical, most useful, from life; to organize the film pieces wrested from life into a meaningful rhythmic visual order, a meaningful visual phrase, an essence of “I see."1
If one is concerned with physical rhythm, one is concerned, as Vertov proclaims above, with “meaningful rhythmic visual order,” not as a means to something else but as a revelation in and of itself.
“Physical rhythm” is the rhythm created by editors when we prioritize the flow of the ...
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