June 2025
Intermediate to advanced
278 pages
6h 48m
English
This chapter is about how editors shape emotion driven exchanges onscreen and emotional responses of audiences with timing, pacing, and trajectory phrasing of movement of emotions. Practically speaking, this usually means focusing on performances and how they move, or could be made to move in relation to each other. “Performance guides the cutting” is something editors say a lot, and it is a good starting place for looking at the principles of crafting emotional rhythms.
In In the Blink of an Eye, Walter Murch writes about being guided by one particular movement in performances: the blink. He says an editor can look at when the actor blinks to see the rise and fall of the character’s ...
Read now
Unlock full access