Introduction
This book is about what rhythm in film editing is, and how to develop your skills at shaping it. Over its three editions the book has had three titles.
The first edition was called Cutting Rhythms, Shaping the Film Edit. “Shaping” was the word I used to turn the reader’s attention to the processes and tools that this book focused on in the first edition.
These processes and tools are still the focus of the book, but in the second edition I changed the title to Cutting Rhythms, Intuitive Film Editing. Using the word “intuitive” was, at the time, a way of bringing attention to the mind of the editor.
This third edition continues to do this, but it is doing something else, too. It is redefining what we call “intuition” as “expertise.” ...
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