August 2012
Intermediate to advanced
416 pages
11h 36m
English
Content preview from Fine Cuts: The Art of European Film EditingBecome an O’Reilly member and get unlimited access to this title plus top books and audiobooks from O’Reilly and nearly 200 top publishers, thousands of courses curated by job role, 150+ live events each month,
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8 A Conversation with Nino Baragli
(This interview was conducted a few years ago by Stefano Masi and was published in the book ‘Nel Buio Della Moviola’. It is printed here with his kind permission and that of Gabriele Lucci, to whom I am most grateful. The translation is by Emiliano Battista.)
At the time of this interview Nino Baragli was the President of the Italian Association of Film Editors (AMC). He has, in the course of his career, cut thousands of miles of films: he is one of the undisputed old masters of this craft. His contribution to Pasolini’s filmography was enormous: Accattone, Mamma Roma, Uccellacci e uccellini/Hawks and Sparrows, II Vangelo Secondo Matteo/The Gospel According to Saint Matthew, Teorema/Theorem, Porcile/Pigsty, ...
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