August 2012
Intermediate to advanced
416 pages
11h 36m
English
Content preview from Fine Cuts: The Art of European Film EditingBecome an O’Reilly member and get unlimited access to this title plus top books and audiobooks from O’Reilly and nearly 200 top publishers, thousands of courses curated by job role, 150+ live events each month,
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18 Andrei Tarkovsky from Sculpting in Time
(Copyright 1987 by Andrei Tarkovsky, used by permission of Alfred A. Knopf, a division of Random House, Inc.)
Contrary to the theories developed during the classic period of early Soviet Cinema, Tarkovsky did not believe that editing or montage created the meaning of a film. For him it was more that editing has to bring out the meaning implicit in the material that has been filmed. It was not that editing was unimportant to him but that it was an integral part of the whole process as this extract from his book underlines.
No one component of a film can have any meaning in isolation: it is the film that is the work of art. And we can only talk about its components rather arbitrarily, dividing it up artificially ...
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