August 2012
Intermediate to advanced
416 pages
11h 36m
English
Content preview from Fine Cuts: The Art of European Film EditingBecome an O’Reilly member and get unlimited access to this title plus top books and audiobooks from O’Reilly and nearly 200 top publishers, thousands of courses curated by job role, 150+ live events each month,
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10 Roberto Perpignani
The main conversation with Roberto took place over three days in June 2001. His career started through serendipity with Orson Welles, he matured as an editor with Bernardo Bertolucci and has cut for the Taviani Brothers for many years. We talked in his apartment in Rome where he lives with his wife Annalisa and their twin daughters.
I can’t say how important the figure of my father was because he died when I was very little – I was five years old, but I remember perfectly that the house was full of photo machines, because he was a photographer. I realised after where my passion for images and photography came from.
My father had been Director of the Photographic Office of the Ministry of Public Education and it was he who ...
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I'm always learning. So when I got on to O'Reilly, I was like a kid in a candy store. There are playlists. There are answers. There's on-demand training. It's worth its weight in gold, in terms of what it allows me to do.