September 2014
Intermediate to advanced
288 pages
10h 24m
English
Content preview from Music Editing for Film and TelevisionBecome an O’Reilly member and get unlimited access to this title plus top books and audiobooks from O’Reilly and nearly 200 top publishers, thousands of courses curated by job role, 150+ live events each month,
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Chapter 11
Delivery Requirements
11.1 HAND IT OVER
As postproduction winds down, it is customary for the music editor to compile all of the pertinent data and musical materials from the film, including the music cue sheet (see section 11.5). These are part of the delivery requirements, and the responsibility of the music editor. The Pro Tools final mix session should be acquired by the music editor from the mixer, with all the audio copied intact, unless the film was mixed from music that came exclusively from the music editor’s rig, in which case you already have it.
11.2 DATA DELIVERY OF MEDIA
In most all projects, the film or television production company will require some kind of delivery of the music media. If the film is being sold, ...
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