November 2012
Beginner
367 pages
10h 49m
English
book
Producing Animation, 2nd Edition, 2nd Edition
by Catherine Winder, Zahra Dowlatabadi, Tracey Miller-Zarneke
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O’Reilly covers everything we've got, with content to help us build a world-class technology community, upgrade the capabilities and competencies of our teams, and improve overall team performance as well as their engagement.I wanted to learn C and C++, but it didn't click for me until I picked up an O'Reilly book. When I went on the O’Reilly platform, I was astonished to find all the books there, plus live events and sandboxes so you could play around with the technology.I’ve been on the O’Reilly platform for more than eight years. I use a couple of learning platforms, but I'm on O'Reilly more than anybody else. When you're there, you start learning. I'm never disappointed.I'm always learning. So when I got on to O'Reilly, I was like a kid in a candy store. There are playlists. There are answers. There's on-demand training. It's worth its weight in gold, in terms of what it allows me to do.
7
THE PRODUCTION TEAM
The Role of the Producer in Structuring the Production Team
As an animation producer, building the crew is an opportunity to put together the ideal combination of people to create something spectacular. Hiring a team for an animated project does not happen all at once because not everyone is needed at the same time. As a result, start dates and end dates are staggered in concert with the production plan. Unlike live action filmmaking, there is no one moment at which cast and crew work on the same scene simultaneously. The staff's work is typically segmented, as each asset and/or shot proceeds from one department to the next. (See Chapter 6, “The Production Plan,” for more information on putting together a crew plan.) ...
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I'm always learning. So when I got on to O'Reilly, I was like a kid in a candy store. There are playlists. There are answers. There's on-demand training. It's worth its weight in gold, in terms of what it allows me to do.