
xii
Acknowledgments
Ask anyone who knows me and they’ll probably say that it’s not a good idea to be
around when I’m working on a book, because I’ll invariably ask to make a photographic
example of you. is book was no exception, and I’d like to thank Konrad Eek, Rossitza
Jekova-Goza, Emily Clinton, Jeanne Phyllis Verity Parkhurst, Hans Wendl, Rick Poland,
Regina Saisi, Joanna Silber, and Marz the cat for standing (or laying) there while they
were turned into example images. Special thanks to Annina Collier for accidentally be-
coming such a good cover model.
Also, a big thanks to the photography students of the 2008 Oklahoma Summer Arts In-
stitute. Always inspiring and fun to work with, they also served as willing models. Check
out www.oaiquartz.org to learn more about this exceptional, one-of-a-kind program.
anks, too to the grandmothers of GAPA—Grandmothers Against Poverty and
AIDS—an amazing NGO in South Africa composed of grandmothers who are trying to
hold their families and communities together in the face of the AIDS pandemic, while
simultaneously raising their own grandchildren, and fighting to improve the lives of
people in townships all over South Africa. Some images of them (and their grandchil-
dren) appear in chapters 8, 12, and 14. Check out www.gapa.org.za to learn more about
this amazing organization.
Finally, thanks to Dennis Fitzgerald ...