
ADVANCED EXPOSURE
THE LIGHT METER REVISITED
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correct for 18 percent gray, then the odds are that its calculated metering will be
correct for your scene.
Most of the time this works. But, sometimes 18 percent gray assumption is incor-
rect. e field of white snow is a great example. Since the camera is assuming that
it’s pointed at something that’s 18 percent gray, it calculates an exposure that will
represent the field of snow as gray rather than white. Fortunately, the XSi’s meter
is so sophisticated that it will usually recognize a strong white object as white and
calculate an appropriate exposure.
Nevertheless, when subjects are bright white, you want to carefully review your
images to make sure the white doesn’t appear gray. If it does, then you’ll need to
overexpose your shot to render white objects as true white. We’ll look at how to
do this in just a bit.
Exposing So at Black Looks Black
Black objects are more likely to trip up the XSi’s meter than are white objects.
Again, if you point the camera at a black object, it will assume that the object is
actually 18 percent gray and so will concoct exposure settings that will properly
render that object as gray. Consequently, black objects can sometimes appear
ashen-looking.
Because the light meter assumes that it’s pointed at something that’s 18 percent
gray, it calculates an exposure that renders the black tone of this car so ...