
CHAPTER 8
HOW TO MAKE A PHOTO
190
FOOD FOR THOUGHT
SHOOTING THROUGH FEAR
Unless you’re a war photographer or you like to shoot in hazardous loca-
tions, photography is really not a dangerous endeavor. Nevertheless, people
will succumb to all sorts of fear-based behavior when trying to take pictures.
e most common one is that they will stick to the ideas that they know
work, or that have worked before, rather than trying something new and
risking the bad feeling that comes when something doesn’t work.
is approach has two problems. First, what worked before in one shot might
not work in another. But more importantly, this type of fear keeps you from
exploring. It may be strange to speak of “courage” in a practice as harmless
as photography, but often you have to muster courage to thoroughly work a
shot. And what you have to be courageous about is failure.
e reason that most people don’t work their shots enough is that they’re
afraid they’ll get home, look at their shots, see that most of them are bad,
and then feel “oh no, I’m a lousy photographer.” So instead, they take the one
or two shots that are safe—the shots that are obvious or that have worked
before. While these shots may not be bad, after a while you will become very
bored with them.
e process of working a shot is like sketching before a painting or drawing.
Just as a painter sketches or a composer writes out motifs or ...